Ebook The Leaning Girl (Obscure Cities)
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The Leaning Girl (Obscure Cities)
Ebook The Leaning Girl (Obscure Cities)
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Review
"Before dark energy and string theory entered the popular lexicon, the Belgian graphic novel wunderkind team of Schuiten and Peeters imagined how invisible cosmological forces might exercise their perplexing pull on a few select mortals in this fabulously original and haunting story, translated from the French. Mary Von Rathen, a charming sprite who drives her mother crazy with her boundless energy and insatiable imagination, embarks on the Star Express, an amusement park attraction that leaves her leaning at a constant diagonal unable to stand up straight. Somehow, this incredible premise leads to a perfectly logical denouement involving competing dimensional realities and invisible planets with powerful gravitational fields. In a subplot, after being lambasted by the ranking art critics of the day, painter Augustin Desombres seeks refuge in an abandoned manor house on a desolate plane. The paths of Mary and Augustin finally cross in a creative and sexual conflagration of quantum proportions. The sixth in the ongoing, futuristic Obscure Cities series, The Leaning Girl offers superbly intricate artwork, and the writing has a literary scope that extends well beyond science fiction and flirts with greatness." –Calvin Reid, Publishers Weekly"This is one of my favorite graphic novels (or whatever you want to call them) from the last decade. It is connected in my mind both with Glimmerglass and with Station Eleven (see below). In a note to readers of this English translation, Benoit Peeters writes that it may be precisely because The Obscure Cities the Schuiten-Peeters series in which this volume belongs is fundamentally so full of holes and destined to remain incomplete that it invites so much outside participation from our readers. I can attest to that, since I came to this installment without any context and was drawn deeply into it." –John Wilson, Christianity Today"In a steampunk-influenced counter-earth, young Mary von Rathen suddenly stands off-kilter as if pulled by a different gravity. Professor Wappendorf readies an interplanetary rocket to investigate planet-threatening dangers, while an isolationist painter on Earth (depicted in photos) seeks his mysterious muse. All three meet in a Jules Verne-type center of the counter-Earth (Verne himself plays a bit part), and the mysteries are resolved. Schuiten's haunting inked linesimpersonate Victorian engravings and counterpoint Plissart's misty photos to give a beautiful nearly real quality. The counter-Earth locales are fully embodied with visual magic, including Mary's sometimes delicately sexual adventures. Yet even if it might seem to follow from the setup, the sad conclusion that life's responsibilities trump art, imagination, and love seems denied by the artfulness of the work itself. "VERDICT: Bemusement for the eyes and mind, this sets a high mark for sublime art and imaginative plotting, even if one debates the resolution....It's a solid bet for lovers of philosophical, alt-world fiction." –Martha Cornog, Library Journal
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About the Author
Benoît Peeters was born in Paris on August 28, 1956. After publishing two novels early in his career, he experimented with diverse genres: essay, biography, illustrated story, photo novel, film, television, radio theater and of course comics.An Hergé specialist, he has written three books to date on the subject: The World of Hergé, Hergé, Son of Tintin, and Read Tintin. He is also the author of several books on comics, storyboards and biographical studies on Hitchcock, Nadar, Jacques Derrida and Paul Valéry.François Schuiten was born in Brussels on April 26, 1956, into a family of architects.Early in his career, he created two graphic novels with Claude Renard, Cymbiola and Rail. Then with his brother Luc, he created three graphic novels in the Hollow Grounds series. Since 1980, he has worked with Benoît Peeters on The Obscure Cities series. His graphic novels have been translated into a dozen languages and have received numerous international awards. He has also created many illustrations, posters and postage stamps across Europe. In 2002, he received the prestigious lifetime achievement award from the Angouleme festival. He published his first solo effort, The Beauty, in 2012, and designed a train museum, Train World, which opened in Brussels in 2015. His 2014 exhibition and accompanying book, Revoir Paris, has met with international praise.
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Product details
Series: Obscure Cities
Paperback: 176 pages
Publisher: IDW Publishing (June 20, 2017)
Language: English
ISBN-10: 1684050960
ISBN-13: 978-1684050963
Product Dimensions:
9.4 x 0.8 x 11.6 inches
Shipping Weight: 2.3 pounds (View shipping rates and policies)
Average Customer Review:
4.8 out of 5 stars
15 customer reviews
Amazon Best Sellers Rank:
#688,255 in Books (See Top 100 in Books)
After some mysterious event, it seems that gravity acts on Mary at somewhat different an angle than it acts on everyone and everything around her. The Victorian-like, repressive and authoritarian culture around her decides that this makes her a trouble-make who'd just stand up straight if she wanted to. (Wow - that's a metaphor for so many things.)So, this gorgeous B&W story moves forward, with very little in the way of conflict, resolution, or direction. But, early on, interludes appear among Mary's episodes. A scientist describes wonders and mysteries, and the plan to explore them. An artist reaches a crisis of faith after some scathing reviews. (It could have been the other way around - scathing reviews of the science and artistic wonders and mysteries, but the writer chose this course.)What starts as a reasonably realistic story (given three impossible things to get it going) grows progressively more fantastic as the disparate threads weave themselves into each other, and I won't even try to describe how that happens. I'll just say that Mary, a child of nature (not necessarily her own nature), catalyzes the fusion.I can't give a comic highest marks unless the art draw me in as much as the story does. Here, imagery carries well more than its share of the story-telling. Schuiten's delicate lines, vast and precise architecture, and natural figures seem as distinctive as a fingerprint, and a combination I find very appealing. Then, the pen-drawings hint at etchings or wood engravings, reinforcing the quasi-Victorian feel of Mary's world. So I found it jarring when one of the interleaved narratives used a [mostly] photographic style. Not to worry, the narrative purpose of this shift becomes clear toward the end, when the drawn and photographed imageries start to blend.I've known only a few of Schuiten's other world, and been bowled over by all of them. This did the same, and the back-flap's teasers for forthcoming work promise yet more. I'll be back to see if that promise is kept.-- wiredweird
When I heard this was funded by a small publisher through Kickstarter I was a little leery of what the finished product might look like.The book is a pleasant surprise-nicely designed and printed in a large size that is perfect for the beautiful art. Good job, Alaxis Press.The story is certainly unlike anything in US comics although I have read some prose sci-fi novels in the same vein. It is about the intersection of two different realities and how they change each other. This is the only time I've seen comics and photography used in the same story where it didn't seem like a gimmick.Looking forward to seeing more of these translated into English.
The best. It is wonderful to enter into these realms. Magnificently and so lovingly created.
This unique graphic novel, The Leaning Girl, is by a talented Belgian team of Peeters and Schuiten. Its translation from French just got published here, and it is a wonderful creation, with an old-timey feel and at the same time an involving sci-fi tale that also dramatizes the creative impulse. (I was reminded of the Jules Verne books of my youth). Bubbly, charming young Mary Von Rathen is riding a roller coaster when some cosmic event strikes and leaves her leaning diagonally at all times, as if she is grounded somewhere other than Earth.Her difference subjects her to ridicule and shunning, until she finds some kindred outsider spirits.In time she attracts the interest of scientists as well.We learn of other dimensional realities and hidden planets. At the same time, the story of a painter, Augustin Desombres, is interspersed in photojournalism style, as he finds himself compelled to buy an old manor house and paint its interior with enigmatic portraits of the cosmos. Eventually his story will meet with Mary's in a place where both are attracted and transformed.The detailed artwork and unusual story make this a special one. More good news is that it's one story among several in the futuristic "Obscure Cities" series, and that we reportedly will be getting more of them in translation.
Schuiten is an architect as well as a graphic novelllst - his science fiction stories basically deal with the impact of architecture and environment on culture and while that sounds dry and esoteric - the result is fascinating and quite beautiful. He is a remarkable artist the panels are incredibly detailed and the stories are unlike anything I have seen - engaging and done amidst a totally foreign architecture which of course impacts everything in the story. Steve Smith's translation is especially good and I can't wait to seethe next books in this series each set in a different futuristic city. After 60+ years of reading comics it is rare I get excited about series this is one of those times.
The presentation of this graphic novel is excellent. The format is a good size and the paper quality is first class with clear reproductions. The art is very detailed and if you like black & white line work this is a treat. The story didn't really captivate me but I'm still glad I read this.
Bizarre story that follows it's own logic, told in exquisite art by François Schuiten, with some interesting photographic art mixed in. The printing and presentation is top notch and I truly hope to see more of Schuiten and Peeters work translated (in this case, translated with a clear effort to preserve both subtlety and clarity, by Stephen D. Smith). Highly recommended for those who love the medium of comic art.
The moment I lifted this book out of the box in which it arrived, I knew I was holding a treasure. I sat down and spent the next hour poring over each page, each intricate detail. It is a feast for the senses--touch, sight, and even the smell of the ink on its silky smooth pages. You don't have to be a fan of graphic novels (comic-book-style storytelling) to love this book...although it may make you a fan. It is simply stunning.
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